SILENT WITNESSES
During a prolific period between the early summer of 2017 and autumn of 2020, I generated hundreds of large-format film photographs of land affected by wildfire, on the unceded territories of the syilx, Secwépemc, Ktunaxa, Sinixt, Nlaka'pamux, Káínai, Siksiká and Stoney-Nakoda, Blackfoot Confederacy and Tsuut'ina among other nations. Following this output, my optimism had waned, and I was unable to move forward and create images that avoided my past successes or proposed new trajectories. Then, in December 2022, I headed out into the forest of Myra-Bellevue Park, which had burned so thoroughly shortly after its inauguration in 2002, and I began making portraits of individual trees under cover of darkness.
Whereas my past photographs spoke to a collective forest, I was now able to highlight the individual through the use of artificial lighting. Attempting to maintain a sense of optimism, yet leaning into darker photographic images, now both literally and symbolically, I continued to utilize artificial lighting and embraced a deeper sense of despair for the landscapes that I depicted, but soon I began attempting to capture a similar set of emotions in pictures made in daylight, or through a mixture of ambient and artificial lighting.
Silent Witnesses is comprised of three parts. Part I was developed around a site that burned over twenty years ago. Part II focuses specifically on fires from 2020-2022 in the Okanagan and Similkameen valleys. Part III deals exclusively with the site of the 2023 McDougall Creek wildfire in West Kelowna and along the western shore of Okanagan Lake. These three parts investigate different time scales as well as the human scale of fire, as a phenomenon that takes place at a distance, compared to fires that erupted directly within the artist’s home community.